We disembarked from our petit taxi in Grand Socco, and tried
to figure out which street was Rue d’Italie. No matter what Moroccan city you’re
in, locating yourself on a map is difficult. In Tangier, the situation is
complicated by the sheer number of names referring to each street and square. Grand
Socco, for example, was renamed Plaza/Place/SaaHa 9 de Abril, since everything that
is labeled in Tangier is labeled in Spanish, French, and Arabic (and
occasionally English too). The multilingualism is a vestige of Tangier’s time
as an International Zone. During French colonization of central and southern
Morocco and Spanish occupation of northern Morocco, the city was exempted from
both foreign rulers and placed in the hands of the West at large – a committee
manned by representatives from Spain, France, the United States, and (until the
first World War) Germany. The architecture serves as evidence for the
multicultural influence, if the place names weren’t enough. Art deco facades pepper
even the medina, and traditional stained-glass and punctured-aluminum lanterns
hang over intricate iron-wrought balconies. But the most beautiful part of
Tangier was there before even the Arab army in 707: the sun shining in a
perfect blue sky over the strait of Gibraltar, with fuzzy purple Spain in the
distance and a far-away Moroccan slope filled with white rectangular abodes off
to the right. It’s the same view that drew the Berbers, Phoenicians, Romans, Arabs,
French, Portuguese, Spanish, the American beat writers, and now finally me.
Back to
Grand Socco, we walked under a horseshoe archway away from a particularly
persistent false guide and discovered we were on the right street. “Our riad
should be right up here on the right,” I said as we neared a steep hill where
the sidewalks turned to steps. Luckily we saw it right at the base of the
incline, although climbing it wouldn’t be difficult – we’d packed light with
only backpacks for our one-night stay in the coastal city.
The hotel,
Dar el Kasbah, was charming and comfortable and modern. The front desk
attendants spoke Spanish, the second language of many people in northern
Morocco, so I happily collected our keys and we went up to our rooms. I usually
prefer to stay in hostels when travelling short-term, since they are clean
enough, great social hubs, and so wonderfully cheap. However, our trip was very
last-minute, so we had to “settle” for an upgrade. The rooms were still
marvelously inexpensive – the five of us had two doubles and a single and the
bill came to about thirty dollars per person. The thick comforters and heavy
knit blankets, plus the hot showers and big fluffy towels, made us forget we
were travelling in the cold off-season.
Our train
got in around 1:30, so our first order of business after dropping our backpacks
at the riad was finding somewhere for lunch. We found ourselves in Petit
Socco, the small square in the old medina where the less-ritzy famous figures
who frequented Tangier in the early and mid-20th centuries drank
mint tea and smoked local marijuana. Choosing to forsake both of those, we
instead climbed to the very low-ceiled second story of a cheap café/restaurant
overlooking the square. Perusing the menu, we decided what we wanted and signaled
the waiter. “Couscous with chicken,” my friend ordered, since it was Friday and
couscous is a Friday tradition. “I’m sorry, we don’t have that,” the waiter
told us apologetically in Spanish. Putting a positive spin on the situation, he
happily announced that they had sandwiches. “Salchicha sandwiches, vegetarian
sandwiches, chicken sandwiches,” he listed. Realizing that the menu was of
little help, we ordered what we could and waited for the cooks to surprise us.
I was
extremely pleasantly surprised by my sandwich: tomato, olives, cheese, and
peppers stuffed into a baguette with spicy harissa on the side and freshly
fried thick-cut potatoes. It was fresh, simple, and unexpectedly delicious. I’d
been worried by the lack of décor, the lack of customers, and the lack of a
menu, but the-café-whose-name-I-never-really-knew delivered.
Our post-lunch
destination was the American Legation, a United States owned building in
Tangier’s medina and the only national historic landmark not in the U.S. Morocco
and the states have a long relationship: the Sultan was the first head-of-state
to recognize America as an independent nation, and the U.S.’s first diplomats
were sent to Tangier. The Legation building is now a museum and a research
center. The labyrinthine rooms, outfitted with classy upholstered furniture,
display old and contemporary artwork depicting Moroccan markets and the “Barbary
peoples”; letters between George Washington, the Sultan, and diplomats; antique
maps where north is often south; and random collections of memorabilia of
famous Americans who spent time in Tangier, such as author Paul Bowles. After
learning a great deal about the United States’ long relationship with Morocco,
we were about to leave when a man who looked like he knew what he was doing
asked if we were students. We explained that we were, and he replied that he
was the director of the Legation and insisted we come see the research library
before we left. “It’s usually not open to the public,” he told us, “but since
you are students you just have to see it!”
Although
the rooms are relatively new and lacking much architectural interest, we were
treated to wonderful tidbits of history and news about the Legation and its
sisters: TALIM and a literacy program for Moroccan women. The director lamented
some cut funds but was proud of the impressive programs the organization still
had to offer, as well as the vast resources, the extent of which are still
unknown. My friend, a geography major, asked about the center’s maps
collection, and the director told us that in a room upstairs were at least
dozens of old maps, uncatalogued and disorganized. “We don’t even know the
extent of our resources here,” he said with an excited gleam in his eye. The
enthusiasm was catching, and we left on a historian’s high to explore the rest
of the city. After a quick stop at the Jewish cemetery (the Hebrew inscriptions
on the gravestones were the fourth alphabet we’d seen in one day, in addition
to the Arabic, Latin, and Berber scripts) and the Instituto Torin, a disarrayed
and under-labeled display of 19th and 20th century
photos, we went in search of that famous view of the strait that has drawn
visitors to Tangier for centuries.
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